Nikki Giovanni, R.I.P.

Nikki Giovanni

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Wednesday

When a great poet dies, as Nikki Giovanni did this past weekend, I always use the occasion to revisit poems I have enjoyed over the years. The two I share today, both personal favorites, reflect two different sides of the African American poet.

The first, “Rosa Parks,” points to her activist side, which was honed in the civil rights battles and the Black militancy movement of the 1960s, earning her the title “the Poet of the Black Revolution.” While the poem celebrates the woman who set off the Montgomery bus boycott while paying homage to Emmitt Till, it also honors some of the invisible members of the Black community—the Pullman porters—who were also important in the struggle for racial equality.

And then there is “Nikki-Rosa,” a poem written in the tradition of Zora Neale Hurston and Alice Walker—which is to say, Black authors who were less interested in the Black-White struggle than in relationships within the Black community. The problem with always focusing on the struggle is that it can appear that Whites are central to Black identity whereas, sometimes, we Whites are just irrelevant. And that’s fine.

Both poems focus on aspects of Black life that most outsiders do not see.

Rosa Parks

This is for the Pullman Porters who organized when people said they couldn’t. And carried the Pittsburgh Courier and the Chicago Defender to the Black Americans in the South so they would know they were not alone. This is for the Pullman Porters who helped Thurgood Marshall go south and come back north to fight the fight that resulted in Brown v. Board of Education because even though Kansas is west and even though Topeka is the birthplace of Gwendolyn Brooks, who wrote the powerful “The Chicago Defender Sends a Man to Little Rock,” it was the Pullman Porters who whispered to the traveling men both the Blues Men and the “Race” Men so that they both would know what was going on. This is for the Pullman Porters who smiled as if they were happy and laughed like they were tickled when some folks were around and who silently rejoiced in 1954 when the Supreme Court announced its 9—0 decision that “separate is inherently unequal.” This is for the Pullman Porters who smiled and welcomed a fourteen-year-old boy onto their train in 1955. They noticed his slight limp that he tried to disguise with a doo-wop walk; they noticed his stutter and probably understood why his mother wanted him out of Chicago during the summer when school was out. Fourteen-year-old Black boys with limps and stutters are apt to try to prove themselves in dangerous ways when mothers aren’t around to look after them. So this is for the Pullman Porters who looked over that fourteen-year-old while the train rolled the reverse of the Blues Highway from Chicago to St. Louis to Memphis to Mississippi. This is for the men who kept him safe; and if Emmett Till had been able to stay on a train all summer he would have maybe grown a bit of a paunch, certainly lost his hair, probably have worn bifocals and bounced his grandchildren on his knee telling them about his summer riding the rails. But he had to get off the train. And ended up in Money, Mississippi. And was horribly, brutally, inexcusably, and unacceptably murdered. This is for the Pullman Porters who, when the sheriff was trying to get the body secretly buried, got Emmett’s body on the northbound train, got his body home to Chicago, where his mother said: I want the world to see what they did to my boy. And this is for all the mothers who cried. And this is for all the people who said Never Again. And this is about Rosa Parks whose feet were not so tired, it had been, after all, an ordinary day, until the bus driver gave her the opportunity to make history. This is about Mrs. Rosa Parks from Tuskegee, Alabama, who was also the field secretary of the NAACP. This is about the moment Rosa Parks shouldered her cross, put her worldly goods aside, was willing to sacrifice her life, so that that young man in Money, Mississippi, who had been so well protected by the Pullman Porters, would not have died in vain. When Mrs. Parks said “NO” a passionate movement was begun. No longer would
there be a reliance on the law; there was a higher law. When Mrs. Parks brought that light of hers to expose the evil of the system, the sun came and rested on her shoulders bringing the heat and the light of truth. Others would follow Mrs. Parks. Four young men in Greensboro, North Carolina, would also say No. Great voices would be raised singing the praises of God and exhorting us “to forgive those who trespass against us.” But it was the Pullman Porters who safely got Emmett to his granduncle and it was Mrs. Rosa Parks who could not stand that death. And in not being able to stand it. She sat back down.

Nikki-Rosa

childhood remembrances are always a drag   
if you’re Black
you always remember things like living in Woodlawn   
with no inside toilet
and if you become famous or something
they never talk about how happy you were to have   
your mother
all to yourself and
how good the water felt when you got your bath   
from one of those
big tubs that folk in chicago barbecue in   
and somehow when you talk about home   
it never gets across how much you
understood their feelings
as the whole family attended meetings about Hollydale
and even though you remember
your biographers never understand
your father’s pain as he sells his stock   
and another dream goes
And though you’re poor it isn’t poverty that
concerns you
and though they fought a lot
it isn’t your father’s drinking that makes any difference   
but only that everybody is together and you
and your sister have happy birthdays and very good   
Christmases
and I really hope no white person ever has cause   
to write about me
because they never understand
Black love is Black wealth and they’ll
probably talk about my hard childhood
and never understand that
all the while I was quite happy

Thank you for sharing your passion and your vision with us, Ms. Giovanni. Rest in peace.

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