Tuesday
Spencer Doerr, a Sewanee student who is one of my tennis hitting partners, recently earned his pilot’s license. Sewanee has a tiny airport and Spencer, in addition to taking flying lessons, has started a flying club (the Flying Tigers). I was honored to be his first official passenger and marveled, as I looked down, at the stunning beauty of the Southern Cumberland Plateau.
I shared with Spencer what Toni Morrison writes about flight in Song of Solomon. He loved the passages, which he said capture his passion. The first occurs in the opening pages. Milkman is born on the same day that a man makes an abortive attempt to fly from a bell tower, which somehow links the two:
Mr. Smith’s blue silk wings must have left their mark, because when the little boy discovered, at four, the same thing Mr. Smith had learned earlier–that only birds and airplanes could fly–he lost all interest in himself. To have to live without that single gift saddened him and left his imagination so bereft that he appeared dull…
The second flight passage occurs when Milkman and his best friend Guitarare discussing peacocks. Milkman at this stage is a bit of a peacock himself and must learn to jettison his self-absorption and his materialist values:
“How come it can’t fly no better than a chicken?” Milkman asked.
“Too much tail. All that jewelry weighs it down. Like vanity. Can’t nobody fly with all that shit. Wanna fly, you got to give up the shit that weighs you down.”
The peacock jumped onto the hood of the Buick and once more spread its tail, sending the flashy Buick into oblivion.”
Milkman is with his aunt Pilate when she is shot by Guitar, who has gone crazy with race hatred. One of Morrison’s greatest characters, Pilate is not weighed down with ego, which Milkman has finally learned to appreciate:
Now he knew why he loved her so. Without ever leaving the ground, she could fly. ‘There must be another one like you,’ he whispered to her. ‘There’s got to be at least one more woman like you.
And finally, in one of the finest last sentences in American fiction, Milkman learns the secret of one of his slave ancestors. Shalimar, so legend has it, was one of the mythical slaves who flew back to Africa. In this magical realist novel, flight is a metaphor for being so in touch with who you are and where you come from that anything seems possible. In this instance, Milkman leaps from a precipice to close with his Guitar, who has been trying to shoot him as well. In this moment of completion, where he transcends division, who can say for sure that he’s not flying?
For now he knew what Shalimar knew. If you surrendered to the air, you could ride it.
