Hugo on a Nation Catching Its Breath

Charles X, a temporary relief after the tumultuous Napoleonic years

Tuesday

In Les Miserables, which I’m currently listening to, Victor Hugo periodically sets his characters aside to discourse on great historical themes. What he has to say about “the restoration” of the Bourbon monarchy following Waterloo put me in mind of Joe Biden’s election.

This surprised me in that the two situations seem polar opposites. Trump, not Biden, represented an attempt to roll history back to a less egalitarian time, whether it be to when whites or when kings reigned supreme.

Hugo, however, says the reaction to the Napoleonic years was in part a yearning for tranquility. What with the 1789 French Revolution, the 1793 Vendée uprising, the 1793-94 reign of terror, and finally the Napoleonic years (1799-1815), France has seen non-stop drama for a quarter of a century. After Napoleon’s final defeat, Hugo is relieved that France has reached “a halting place.” “Of great events, great hazards, great adventures, great men,” he writes, “thank God, we have seen enough”:

The Restoration had been one of those intermediate phases, hard to define, in which there is fatigue, buzzing, murmurs, sleep, tumult, and which are nothing else than the arrival of a great nation at a halting-place.

These epochs are peculiar and mislead the politicians who desire to convert them to profit. In the beginning, the nation asks nothing but repose; it thirsts for but one thing, peace; it has but one ambition, to be small. Which is the translation of remaining tranquil. Of great events, great hazards, great adventures, great men, thank God, we have seen enough, we have them heaped higher than our heads. We would exchange Cæsar for Prusias, and Napoleon for the King of Yvetot. “What a good little king was he!” We have marched since daybreak, we have reached the evening of a long and toilsome day; we have made our first change with Mirabeau, the second with Robespierre, the third with Bonaparte; we are worn out. Each one demands a bed.

Devotion which is weary, heroism which has grown old, ambitions which are sated, fortunes which are made, seek, demand, implore, solicit, what? A shelter. They have it. They take possession of peace, of tranquillity, of leisure; behold, they are content.

“The King of Yvetot,” incidentally is a William Makepeace Thackeray poem about a Normandy king who “let all thoughts of glory go,/ And dawdled half his days a-bed.” Prusias, from what I can tell, is chiefly famous for having remained neutral during some of Rome’s wars. Trump, while no Napoleon, left a similar mess behind. Biden appears willing to let all thoughts of glory–or headlines–go in order to clean things up.

The historical contrasts are as illuminating as the parallels. Hugo says that, although France tried to turn the clock back, the energies released by the 1789 revolution—what he calls “accomplished facts”—could not be bottled up. The restored monarchs could no more stop a new, more egalitarian society from emerging than Trump could put a stop to an increasingly diverse and multicultural society. While the kings might think they were “granting” new liberties, it was actually history that was pushing them, just as it pushed Britain’s restored Stuart monarchy following the Puritan republic: 

At the same time that weary men demand repose, accomplished facts demand guarantees. Guarantees are the same to facts that repose is to men.

This is what England demanded of the Stuarts after the Protector; this is what France demanded of the Bourbons after the Empire.

These guarantees are a necessity of the times. They must be accorded. Princes “grant” them, but in reality, it is the force of things which gives them. A profound truth, and one useful to know, which the Stuarts did not suspect in 1662 and which the Bourbons did not even obtain a glimpse of in 1814.

Because of the contradiction between monarchy and changing times, Hugo believes the 1830 “July Revolution” that overthrew the last of the Bourbons was inevitable. As much as the Louis XVIII and Charles X tried to change with the times, they could not change enough. Still, Hugo gives them credit for their peaceful regimes, in which “it was the turn of intelligence of have the word.” They allowed “equality before the law, liberty of conscience, liberty of speech, liberty of the press, the accessibility of all aptitudes to all functions.” As a result, the 1830 revolution was largely peaceful and the Bourbon dynasty left the scene quietly:

This is the foundation of those famous acts which are called the ordinances of July. The Restoration fell.

It fell justly. But, we admit, it had not been absolutely hostile to all forms of progress. Great things had been accomplished, with it alongside.

Under the Restoration, the nation had grown accustomed to calm discussion, which had been lacking under the Republic, and to grandeur in peace, which had been wanting under the Empire. France free and strong had offered an encouraging spectacle to the other peoples of Europe. The Revolution had had the word under Robespierre; the cannon had had the word under Bonaparte; it was under Louis XVIII. and Charles X. that it was the turn of intelligence to have the word. The wind ceased, the torch was lighted once more. On the lofty heights, the pure light of mind could be seen flickering. A magnificent, useful, and charming spectacle. For a space of fifteen years, those great principles which are so old for the thinker, so new for the statesman, could be seen at work in perfect peace, on the public square; equality before the law, liberty of conscience, liberty of speech, liberty of the press, the accessibility of all aptitudes to all functions. Thus it proceeded until 1830. The Bourbons were an instrument of civilization which broke in the hands of Providence.

Biden differs from Louis and Charles in that he is working in concert with historical trends rather than against them. (If he didn’t, progressives would pressure him the way the July revolutionists pressured Charles.) As a result, there’s a chance that, in the new quiet, he may become one of the most consequential presidents in American history, taking on the major challenges of the 21st century at a time when we thought American government was broken beyond repair.

That’s not a prediction, by the way, and there’s much that could go wrong. Hugo makes it clear, however,  that (1) societies need a halting place following incessant turmoil and (2) it’s better to work with history than against it.

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Will Trump Pay? Literature Is Unsure

Hogarth, scene from Beggar’s Opera

Monday

With the Senate voting to acquit and various Republicans making pilgrimages to Mar-a-Lago to kiss the ring, does this mean that Donald Trump has once more dodged accountability? While many supporters have paid a price, like John Gay’s Mack the Knife it appears that Trump has once again evaded the noose.

Indeed, the popularity of Macheath may give us insight into Trump’s continuing allure. Given that 18th-century audiences loved watching the impudent rogue repeatedly slip through the law’s clutches and that Frank Sinatra thrilled fans as he swaggered through Brecht’s and Weil’s lyrics (“When the shark bites with his teeth, dear/ Scarlet billows start to spread”), one can see why Trump fans cheered as the president flouted the law, norms, and general civility. The glamorous lawbreaker has long captured the public imagination.

Gay, incidentally, made direct equations between his highway man and the country’s leading statesman, prime minister Robert Walpole. At one point Macheath sings,

Through all the employments of life
Each neighbor abuses his brother;
Whore and rogue they call husband and wife,
All professions be-rogue one another.
The priest calls the lawyer a cheat,
The lawyer beknaves the Divine,
And the statesman because he’s so great,
Thinks his trade as honest as mine.

So will Trump continue to get away with his crimes? I think of an observation that Henry Fielding makes in Tom Jones on such matters. “There are a set of religious, or rather moral writers,” he writes,

who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that it is not true.

To be sure, the structure of Fielding’s novel refutes his pessimism in that Tom’s virture in fact wins him both the fair Sophia and a landed estate whereas the villainous Blifil is stripped of his title and reduced to marital fortune hunting and…ppolitics?! For much of history, literarary structure has in fact carried a moral message. Miss Prism articulates this vision in an interchange from The Importance of Being Ernest, which features Wilde’s characteristic topsy-turvy wit:

Prism: Do not speak slightingly of the three-volume novel, Cecily. I wrote one myself in earlier days.

Cecily: Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily? I don’t like novels that end happily. They depress me so much.

Prism: The good ended happily, and the bad unhappily. That is what Fiction means.

Fielding makes a similar point as he looks back at Greek tragedy, where a god-in-a-machine (deus ex machina) would be lowered on stage at the end of a performance to ensure that justice prevailed:

In this the ancients had a great advantage over the moderns. Their mythology, which was at that time more firmly believed by the vulgar than any religion is at present, gave them always an opportunity of delivering a favorite hero. Their deities were always ready at the writer’s elbow, to execute any of his purposes; and the more extraordinary the invention was, the greater was the surprise and delight of the credulous reader.

Even as Fielding questioned such fantasy interventions, moral accountability continued to be written into the structure of novels throughout the following century, and we find it in the fiction of Austen, the Brontes, Dickens, Hugo, Tolstoy, pretty much everyone. When an author finally showed virtue ending in unhappiness (Thomas Hardy in Tess of the d’Ubervilles: A Pure Women), readers were outraged.

If we can’t count on justice for Trump in this world, how about the next? Cynics and atheists like John Wilmot have long dismissed afterlife punishment as mere fantasy wish fulfillment:

For Hell and the foul fiend that rules
God’s everlasting fiery jails
(Devised by rogues, dreaded by fools),
With his grim, grisly dog that keeps the door,
Are senseless stories, idle tales,
Dreams, whimseys, and no more.

Dante, of course, gives the most complete accounting of what happens to evildoers after they die. And while Wilmot might dismiss Dante’s vision as senseless stories (Inferno even features the dog), the Florentine is actually a bit more sophisticated. The hell that people suffer after death is just a metaphorical description of the hell their evil visits upon them while they are still alive. I’ve written several times of the perpetual hell in which Trump finds himself: his anger boils him, his greed drags him down, his own fraud gets him to fear the hooks of others, his resentment gnaws away at him perpetually.

But even if we agree that Trump will pay some price, interior if not exterior, that’s scant consolation to those whom he has swindled. Voltaire makes this point in Candide when his protagonist thinks that providence has just intervened to balance the moral ledger:

The French captain soon saw that the captain of the victorious vessel was a Spaniard, and that the other was a Dutch pirate, and the very same one who had robbed Candide. The immense plunder which this villain had amassed, was buried with him in the sea, and out of the whole only one sheep was saved.

“You see,” said Candide to Martin, “that crime is sometimes punished. This rogue of a Dutch skipper has met with the fate he deserved.”

“Yes,” said Martin; “but why should the passengers be doomed also to destruction? God has punished the knave, and the devil has drowned the rest.”

Needless to say, people have been grappling with these ethical issues since the dawn of human history so there’s no easy reassurance to be had. Just keep in mind that, although life can certainly be unfair, Plato, Buddha, Jesus and others have compellingly argued that heaven is to be found in a virtuous life and hell in a vicious one.

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Pondering Our Ashness, Hoping for Easter

Carl Spitzweg, Ash Wednesday

Spiritual Sunday – First Sunday of Lent

Lent began this past week with Ash Wednesday so here’s Walter Bruggeman’s “Marked by Ashes.” The poet plays with the idea that the season begins mid-work week, which find us “burden[ed] with the tasks of the day.” Beginning with “committees and memos” and “calls and appointments,” he moves on to “failed hopes and broken promises,” “forgotten children and frightened women,” all of which leave a “taste of ash in our mouth.” Given the chain of associations, one can’t help but wonder about the poet’s experiences with office work.

But because it is Wednesday, we are also “halfway home,” so that our “ashness” is counterbalanced with anticipation of Easter victory. We are “half frazzled, half expectant,/ half turned toward you [God], half rather not.” Even as we face up to our ashes-to-ashes mortality, we look forward to “the Easter parade of newness.”

“Come here and Easter our Wednesday with/ mercy and justice and peace and generosity,” the poet calls. This of this as the ultimate hump day poem.

Ruler of the Night, Guarantor of the day
This day — a gift from you.
This day — like none other you have ever given, or we have ever received.
This Wednesday dazzles us with gift and newness and possibility.
This Wednesday burdens us with the tasks of the day, for we are already halfway home
     halfway back to committees and memos,
     halfway back to calls and appointments,
     halfway on to next Sunday,
     halfway back, half frazzled, half expectant,
     half turned toward you, half rather not.

This Wednesday is a long way from Ash Wednesday,
   but all our Wednesdays are marked by ashes —
     we begin this day with that taste of ash in our mouth:
       of failed hope and broken promises,
       of forgotten children and frightened women,
     we ourselves are ashes to ashes, dust to dust;
     we can taste our mortality as we roll the ash around on our tongues.

We are able to ponder our ashness with
   some confidence, only because our every Wednesday of ashes
   anticipates your Easter victory over that dry, flaky taste of death.

On this Wednesday, we submit our ashen way to you —
   you Easter parade of newness.
   Before the sun sets, take our Wednesday and Easter us,
     Easter us to joy and energy and courage and freedom;
     Easter us that we may be fearless for your truth.
   Come here and Easter our Wednesday with
     mercy and justice and peace and generosity.

We pray as we wait for the Risen One who comes soon.

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Texas GOP Tilts with Windmills

Gustave Doré, The Adventure with the Windmills (Don Quixote)

Friday

My English professor son Tobias Wilson-Bates pointed out to me that there’s an element of Don Quixote in the response to Texas’s weather problems. As citizens watch the state’s power grid collapse in the face of arctic weather, their Republican governor, Fox News’s Tucker Carlson, and other GOP officials are blaming the whole problem on…windmills.

Apparently a New York Congresswoman and Joe Biden’s “Green New Deal” are also to blame. Pay no attention to Texas’ failure to weatherize, modernize, stockpile, and connect with other states’ energy systems.

Vox provides an account of Fox’s blame shifting:

Since Monday, various Fox News hosts, including Tucker Carlson and Harris Faulkner, have pushed the narrative that the power outages in Texas are actually the result of Green New Deal-style energy policies that aren’t even in place there.

“It seems pretty clear that a reckless reliance on windmills is the cause of this disaster,” Carlson claimed Monday, establishing a talking point that Fox News continued to hammer into the brains of viewers across numerous shows on Tuesday, with Carlson returning to the theme that evening.

Here, meanwhile, is Governor Greg Abbott in an interview with Fox’s Sean Hannity:

As Hannity agreed with him, Abbott said that “this shows how the Green New Deal would be a deadly deal for the United States of America.”

“Our wind and our solar got shut down, and they were collectively more than 10 percent of our power grid, and that thrust Texas into a situation where it was lacking power on a statewide basis,” he continued. “It just shows that fossil fuel is necessary for the state of Texas as well as other states to make sure that we’ll be able to heat our homes in the wintertime and cool our homes in the summertime.”

I do Don Quixote an injustice by comparing him to these alternative-fact yahoos, but the similarities are illuminating. Quixote is a nobleman whose mind has been turned by the many chivalric romances he’s been reading. Despairing about Spanish decline, he sallies forth on his horse, lance in hand and Sancho Panza at his side, to make Spain great again.

Windmills are a particular grievance:

At this point they came in sight of thirty or forty windmills that there are on that plain, and as soon as Don Quixote saw them he said to his squire, “Fortune is arranging matters for us better than we could have shaped our desires ourselves, for look there, friend Sancho Panza, where thirty or more monstrous giants present themselves, all of whom I mean to engage in battle and slay, and with whose spoils we shall begin to make our fortunes; for this is righteous warfare, and it is God’s good service to sweep so evil a breed from off the face of the earth.”

Windmills, as my former student Matt Sargent once informed me in his senior project on Quixote, represented a technological breakthrough in 17th century Spain, providing a source of power undreamt of by earlier generations. That windmills are once again cutting-edge technology is something few would have foreseen even 50 years ago. In any event, like Quixote with the chivalric code, Texas politicos dream of past glory, a time when fossil fuels were king. They will not acknowledge that oil and gas are a leading cause of extreme weather events such as the Texas snowstorm

When you live by such stories, sooner or later reality comes knocking, as it does with Quixote:

A slight breeze at this moment sprang up, and the great sails began to move, seeing which Don Quixote exclaimed, “Though ye flourish more arms than the giant Briareus, ye have to reckon with me.”

So saying, and commending himself with all his heart to his lady Dulcinea, imploring her to support him in such a peril, with lance in rest and covered by his buckler, he charged at Rocinante’s fullest gallop and fell upon the first mill that stood in front of him; but as he drove his lance-point into the sail the wind whirled it round with such force that it shivered the lance to pieces, sweeping with it horse and rider, who went rolling over on the plain, in a sorry condition. Sancho hastened to his assistance as fast as his ass could go, and when he came up found him unable to move, with such a shock had Rocinante fallen with him.

Even disaster doesn’t shake the faith of those who are completely lost in fantasy, however. When fact-based Sancho points out Quixote’s error, the knight has a theory worthy of a Q-Anon conspiracy:

“God bless me!” said Sancho, “did I not tell your worship to mind what you were about, for they were only windmills? and no one could have made any mistake about it but one who had something of the same kind in his head.”

“Hush, friend Sancho,” replied Don Quixote, “the fortunes of war more than any other are liable to frequent fluctuations; and moreover I think, and it is the truth, that that same sage Friston who carried off my study and books, has turned these giants into mills in order to rob me of the glory of vanquishing them, such is the enmity he bears me…

Ultimately, however, the Deep State will be defeated. Or as Quixote declares, “[I]n the end his wicked arts will avail but little against my good sword.”

Further thought: To quote from an earlier post where I compared the GOP to Quixote, I must also stress the difference. Quixote’s mission, as he puts it, is to “defend maidens, to protect widows and to succor the orphans and the needy.” In the other corner there’s the mayor of Colorado City, Texas. As CBS News recently reported,

A Texas mayor resigned after seemingly telling residents to fend for themselves in a Facebook post amid a deadly and record-breaking winter storm that left much of the state without power Tuesday. 

As then-mayor of Colorado City, Tim Boyd wrote an insensitive message for people desperate for heat, water and power, saying “only the strong will survive and the weak will [perish.]”

“No one owes you [or] your family anything; nor is it the local government’s responsibility to support you during trying times like this!” he said. “Sink or swim it’s your choice! The City and County, along with power providers or any other service owes you NOTHING! I’m sick and tired of people looking for a damn handout.”

Many of us dream that the GOP will one day look back at its Trumpist fling and express the regrets the Quixote does at the end of his life:

My reason is now free and clear, rid of the dark shadows of ignorance that my unhappy constant study of those detestable books of chivalry cast over it. Now I see through their absurdities and deceptions, and it only grieves me that this destruction of my illusions has come so late that it leaves me no time to make some amends by reading other books that might be a light to my soul. Niece, I feel myself at the point of death, and I would fain meet it in such a way as to show that my life has not been so ill that I should leave behind me the name of a madman; for though I have been one, I would not that the fact should be made plainer at my death. 

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Hugo Describes Trump-Style Resentment

Sacha Baron Cohen as Thénardier in Les Miserables

Thursday

I’ve been listening to Victor Hugo’s Les Miserables as I drive around (it’s 46 disks in all!) and have come across a character who, if he were an actual person alive today, would be a Trump supporter and possibly one of the Capitol Hill insurrectionists. I’ve encountered few literary villains more despicable than Thénardier, a failed innkeeper-turned-bandit who, in one revealing scene, attempts to extort thousands from Jean Valjean, whom he has just captured.

His rant to the bound Valjean is a toxic mixture of resentment, grievance, inflated self-regard, envy, and self-pity. Thénardier magnifies his military successes—he was actually a battlefield scavenger who saved an officer by accident at Waterloo—while regarding the financial success of others as a personal insult. Many of the Capitol Hill insurrectionists appear to have had their own ongoing rants, much of it voiced on social media.

Don’t worry if you can’t follow everything that Thénerdier is talking about, which would require too much plot summary. It’s enough to know that he thinks Valjean is a millionaire philanthropist and that none of his claims are true. Indeed, he exploited “the Lark” to such an appalling extent that Valjean had to rescue her from his clutches:

Parbleu! You made game of me in the past! You are the cause of all my misfortunes! For fifteen hundred francs you got a girl whom I had, and who certainly belonged to rich people, and who had already brought in a great deal of money, and from whom I might have extracted enough to live on all my life! A girl who would have made up to me for everything that I lost in that vile cook-shop, where there was nothing but one continual row, and where, like a fool, I ate up my last farthing! Oh! I wish all the wine folks drank in my house had been poison to those who drank it! …

Thénardier paused. He was out of breath. His little, narrow chest panted like a forge bellows. His eyes were full of the ignoble happiness of a feeble, cruel, and cowardly creature, which finds that it can, at last, harass what it has feared, and insult what it has flattered, the joy of a dwarf who should be able to set his heel on the head of Goliath, the joy of a jackal which is beginning to rend a sick bull, so nearly dead that he can no longer defend himself, but sufficiently alive to suffer still.

And further on, after Valjean says, “I see you are a villain”:

Villain! Yes, I know that you call us that, you rich gentlemen! Stop! it’s true that I became bankrupt, that I am in hiding, that I have no bread, that I have not a single sou, that I am a villain! It’s three days since I have had anything to eat, so I’m a villain! Ah! you folks warm your feet, you have Sakoski boots, you have wadded greatcoats, like archbishops, you lodge on the first floor in houses that have porters, you eat truffles, you eat asparagus at forty francs the bunch in the month of January, and green peas, you gorge yourselves, and when you want to know whether it is cold, you look in the papers to see what the engineer Chevalier’s thermometer says about it. We, it is we who are thermometers. We don’t need to go out and look on the quay at the corner of the Tour de l’Horologe, to find out the number of degrees of cold; we feel our blood congealing in our veins, and the ice forming round our hearts, and we say: ‘There is no God!’ And you come to our caverns, yes our caverns, for the purpose of calling us villains! But we’ll devour you! But we’ll devour you, poor little things! Just see here, Mister millionnaire: I have been a solid man, I have held a license, I have been an elector, I am a bourgeois, that I am! And it’s quite possible that you are not!”

Thénardier concludes his rant with his belief that he is entitled to Valjean’s fortune:

I am a soldier of Waterloo, by all the furies! And now that I have had the goodness to tell you all this, let’s have an end of it. I want money, I want a deal of money, I must have an enormous lot of money, or I’ll exterminate you, by the thunder of the good God!”

Valjean, like members of Congress, just barely escapes. Thénardier, meanwhile, ends up where many of the Capitol Hill insurrectionists are headed–which is to say, in the hands of the police.

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To Julia, Who Turns 70 Today

Julia with two of our grandchildren

Wednesday

Julia, my wife of 47 years, turns 70 today (I follow in four months), so here’s a Christina Rossetti sonnet to celebrate our relationship. I like how it gets at the way love grows stronger over time. The poet has a friendly debate with her loved one about who loved earliest, who loved deepest, and whose love is most solidly grounded. She concludes that “weights and measures do us both a wrong,” however, because, with time, their loves have become so intertwined as to be indistinguishable:

For verily love knows not ‘mine’ or ‘thine;’
With separate ‘I’ and ‘thou’ free love has done,
For one is both and both are one in love:

Rossetti’s first epigraph, from Dante’s Paradiso, is Dante hoping that his poem about the love that is Paradise, albeit just a little spark, will prompt other poets to do the topic full justice.  Petrarch, menwhile, points to how, in the presence of love, all else falls away. In other words, once love has been sparked, we are lost in its immensity and all our previous quibbles fall away.

That’s what it’s been like to be married to this wonderful woman I met in college. The early debates appear utterly irrelevant in the face of “the love which makes us one.:

A great flame follows a little spark.
–Dante

All other things, all thought must go,
And only Love remains there with you.
–Petrarch

I loved you first: but afterwards your love
Outsoaring mine, sang such a loftier song
As drowned the friendly cooings of my dove.
Which owes the other most? my love was long,
And yours one moment seemed to wax more strong;
I loved and guessed at you, you construed me
And loved me for what might or might not be –
Nay, weights and measures do us both a wrong.
For verily love knows not ‘mine’ or ‘thine;’
With separate ‘I’ and ‘thou’ free love has done,
For one is both and both are one in love:
Rich love knows nought of ‘thine that is not mine;’
Both have the strength and both the length thereof,
Both of us, of the love which makes us one.

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The Ice Storm Cometh

Tuesday

We’re on the verge of a major ice storm here in the Tennessee mountains–we’ve already lost power once–so I’m reposting an essay from a decade ago. I’m praying it gets out before our power goes out again. Given the number of trees we have and the way ice is already cascading off of trees–the temperature is currently 33 and a steady rain is falling–I fully expect to return to darkness any moment now.

Frost’s intention in “Birches” is to write about swinging on birches as a boy.  But train of association leads him to go off topic and reminisce about ice storms for the first 20 lines.  Thematically, however, it is not a digression at all, as we will see.  Here’s how the poem begins:

When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy’s been swinging them.
But swinging doesn’t bend them down to stay.
Ice-storms do that. Often you must have seen them
Loaded with ice a sunny winter morning
After a rain. They click upon themselves
As the breeze rises, and turn many-coloured
As the stir cracks and crazes their enamel.
Soon the sun’s warmth makes them shed crystal shells
Shattering and avalanching on the snow-crust
Such heaps of broken glass to sweep away
You’d think the inner dome of heaven had fallen.
They are dragged to the withered bracken by the load,
And they seem not to break; though once they are bowed
So low for long, they never right themselves:
You may see their trunks arching in the woods
Years afterwards, trailing their leaves on the ground,
Like girls on hands and knees that throw their hair
Before them over their heads to dry in the sun.
But I was going to say when Truth broke in
With all her matter-of-fact about the ice-storm,
I should prefer to have some boy bend them
As he went out and in to fetch the cows—

Although his conversational style makes it appear as though he has digressed, the “matter-of-fact about the ice-storm” is getting at a darker reality: the storms of life drag us down.  This sad truth is hidden by the breath-taking beauty of the ice storm and by the lovely image of girls drying their hair in the sun.  Nevertheless, it is there: “once they are bowed/So low for long, they never right themselves.”  This poet, who writes frequently about the weight of the world and is one who has been “much acquainted with the night,” is doing so again here.

After these dark thoughts, he recovers and thinks of an alternative, albeit less plausible, explanation: the trees are bowed over because a boy has been swinging on them:

Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.
One by one he subdued his father’s trees
By riding them down over and over again
Until he took the stiffness out of them,
And not one but hung limp, not one was left
For him to conquer. He learned all there was
To learn about not launching out too soon
And so not carrying the tree away
Clear to the ground. He always kept his poise
To the top branches, climbing carefully
With the same pains you use to fill a cup
Up to the brim, and even above the brim.
Then he flung outward, feet first, with a swish,
Kicking his way down through the air to the ground. 

That is a joyous image drawn from his childhood.  The image comes to him at precisely those moments when he needs buoying up:

So was I once myself a swinger of birches.
And so I dream of going back to be.
It’s when I’m weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig’s having lashed across it open.
I’d like to get away from earth awhile
And then come back to it and begin over.

Having written recently about Sir Gawain’s grim slog through the forest as he is being pelted by frozen rain, I offer this as another image of existential crisis. But Frost is careful to qualify his wish. He’s not saying that he wants to quit life altogether, hard though it may be. In fact, the lines that follow contain one of the most life-affirming passages in American literature:

May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth’s the right place for love:
I don’t know where it’s likely to go better.
I’d like to go by climbing a birch tree—
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.

And then, as though he has revealed too much of himself in this ecstatic declaration of love, he retreats back into Yankee reticence:

One could do worse than be a swinger of birches.

As you think about this poem, recall times when you have felt dragged down to the withered bracken by the ice as it piles up.  When have you stumbled through the forest, an eye crying from a branch having lashed across it open?  Frost tells us that, for all our suffering, we can learn to love this life.

One could argue that his climbing the trees is also a metaphor for his poetry, climbing black sentences up a snow-white page.  Through the human imagination (which includes childhood memories), we are able to soar above our difficult lives.  But our poetic souls start with those lives (Yeats called them “the foul rag and bone shop of the heart”) and must return to them.  It’s good to go and it’s good to come back.

Addendum: Years ago, when I was teaching Robert Frost’s poetry to a group of high school English teachers in Slovenia, I met one who had been a swinger of birches as a child.  The teacher was from the Bela Krajina region, known for its birches, and the poem brought back good times.

Another Frost poem brought back much darker memories.  In “Mending Wall” Frost famously writes that “good fences make good neighbors.”  The teacher said that, when she was a girl, a boundary dispute involving a few meters led a neighbor to hit and kill her father with a shovel.  The family could no longer take care of the farm and had to move to the city of Ljubljana.  

One can never anticipate the stories that a poem will elicit from a reader.

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Fanatics Calling Kamala a Jezebel

Frederic Leighton, Jezebel and Ahab Meet Elijah

Monday

When Barack Obama was president, the Christian right targeted Barack Obama, declaring him a Muslim and a foreigner. While they haven’t been able to get the same traction against Joe Biden (at least ot yet), they have found a surrogate in our vice president. According to Anne Branigan in The Lily, fascist preachers have been calling Kamala Harris a “Jezebel.” As we have learned to our sorrow over the past 12 years, symbols like this must be taken seriously lest we be caught unawares.

A healthy response might be to cite Tom Robbins’s celebration of Jezebel in his novel Skinny Legs and All. Let’s look first, however, at the Biblical story and at how rightwing preachers are employing it it.

The Phoenician queen of Israel king Ahab,  Jezebel finds herself involved in multiple power struggles, first with the prophet Elijah and then with his successor Elisha. There are many twists and turns but the final result is a gory death:

Then Jehu went to Jezreel. When Jezebel heard about it, she put on eye makeup, arranged her hair and looked out of a window. As Jehu entered the gate, she asked, “Have you come in peace, you Zimri, you murderer of your master?”

He looked up at the window and called out, “Who is on my side? Who?” Two or three eunuchs looked down at him. “Throw her down!” Jehu said. So they threw her down, and some of her blood spattered the wall and the horses as they trampled her underfoot.

Jehu went in and ate and drank. “Take care of that cursed woman,” he said, “and bury her, for she was a king’s daughter.” But when they went out to bury her, they found nothing except her skull, her feet and her hands. They went back and told Jehu, who said, “This is the word of the Lord that he spoke through his servant Elijah the Tishbite: On the plot of ground at Jezreel dogs will devour Jezebel’s flesh.[f]Jezebel’s body will be like dung on the ground in the plot at Jezreel, so that no one will be able to say, ‘This is Jezebel.’” (2 Kings 9:30-37)

The story is particularly chilling when read in light of the recent Capitol insurrection where Trump cultists sought out those members of Congress who didn’t share their faith, perhaps to kidnap or kill them.

Branigan alerts us to how the Jezebel story is being used:

Two days after Vice President Harris was sworn in as the nation’s first female vice president, Tom Buck let it out.

“I can’t imagine any truly God-fearing Israelite who would’ve wanted their daughters to view Jezebel as an inspirational role model because she was a woman in power,” tweeted Buck, senior pastor of First Baptist Church in Lindale, Tex. In the days leading up the inauguration, Buck had quoted scripture about “evildoers” alongside criticism of President Biden’s stance on abortion rights.

Following criticism, Buck didn’t back down:

For those torn up over my tweet, I stand by it 100%,” Buck wrote. “My problem is her godless character. She not only is the most radical pro-abortion VP ever, but also most radical LGBT advocate.”

Branigan notes that

Buck wasn’t the only Southern Baptist preacher to refer to Harris as a Jezebel, a biblical character who has become shorthand for an amoral, wantonly sexual woman. Weeks earlier, before the Jan. 6 insurrection at the U.S. Capitol, Steve Swofford, head of the First Baptist Church of Rockwall near Dallas, made a similar statement. Delivering a videotaped sermon, Swofford called Biden “cognitively dysfunctional.”

“What if something happens to [Biden] and Jezebel has to take over?” Swofford asked in the sermon. “Jezebel Harris, isn’t that her name?”

 Branigan explains the significance:

The “Jezebel” reference is…highly specific, a trope that speaks to deeply entrenched views about power and what is “normal” or “traditional” in American culture, especially when it comes to racial and gender hierarchies….

Calling Harris a Jezebel accomplishes multiple things: It delegitimizes her power and dehumanizes her. Jessica Johnson, an assistant professor of religious studies at the College of William & Mary, said the term has historically been used as a justification for racial violence against Black women. But the pastors’ rhetoric had an additional level of danger.

Johnson has been researching Christian nationalism, an ideology rooted in the belief that the United States is a Christian nation and that Christians must both maintain and advance their privileged status. The Christian nationalist movement shares many of the same beliefs as the white nationalists,including an attachment to an “authoritarian father figure” running the country, Johnson explained. Calling Harris a Jezebel foments their worst fears: that they will be replaced; that their fate is in the hands of a godless, amoral Black woman.

Tamura Lomax, author of Jezebel Unhinged, adds, “She never did anything sexual. They hated her for her power.” Lomax explained to Branigan that it was

 Jezebel’s breach of the social order that led followers of Christianity to accuse her of being immoral. The sexual connotations were tacked on afterward to both undermine her and further highlight her deviance.

Fundamentalists also invoke Jezebel’s name in Robbins’s novel. After fundamentalist preacher Buddy Winkler catches his daughter wearing lipstick and attending a life drawing class in her college, he and other members of the congregation set upon her, scrubbing her face until it’s raw while calling her a Jezebel.  Robbins fights back with a historial explanation of Jezebel’s real crime. The queen, he writes, worshipped the earth goddess Astarte, who was


the Goddess, the Great Mother, the Light of the World, the most ancient and widely revered divinity in human history. Shrines to her date back to the Neolithic Period, and there was not one Indo-European culture that failed to remove with its kiss the mud from her sidereal slippers. In comparison, “God,” as we moderns call Yahweh (often misspelled “Jehovah”) was a Yahny-come-lately who would have approached her enormous popularity. She was the mother of God, as indeed, she was the mother of all.

It’s no surprise, then, that, when

King Ahab’s Phoenician bride started building shrines to Astarte, and when the Israelites started flocking to those shrines—the populace apparently favored Astarte’s voluptuous indulgence over Yahweh’s rigid asceticism—the patriarchs reacted violently against her.

Robbins provides an interesting side note:

[O]ne of the crimes charged to Jezebel, according to the historian Josephus, was the planting of trees. Since the Goddess always has been honored in sacred groves, it is understandable that patriarchs, then as now, leaned toward deforestation.

Because the devotion to Astarte was “contagious,” Robbins writes, because “it weakened the grip of the Yahweh cult, “Jezebel” was slandered, framed, and finally murdered.” Robbins gives his own account of her death:

When the moment arrived, Jezebel was thoroughly aware that she was to be assassinated. She put up her ergot-black hair, donned her tiara, rouged her cheeks and lips, applied kohl to the lids of her huge Phoenician eyes, and went to face her killer with the style, dignity and grace befitting a reigning queen. So much for painted hussies.

For many Americans, Kamala Harris, with her infectious laugh and her multicultural background, represents an important step in America achieving the dream set forth in the Declaration of Independence and posted on the Statue of Liberty. We need to be aware, however, that, with others, she is triggering hatreds that go as deep as those directed against Obama and Hillary Clinton.

At the end of Skinny Legs and All, Buddy Winkler attempts to strangle a Middle Eastern woman dancing the dance of the seven veils, with each veil representing one of the ways we blind ourselves to the richness of life and human possibility. Such men were active in Jezebel’s time and they remain a lethal threat today.

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Erotic Love, a Window into God

Rossetti (completed by Ford), Beatrice

Spiritual Sunday—Valentine’s Day

As Valentine’s Day this year falls on a Sunday, I choose this opportunity to explore the relationship between Love’s physical and spiritual sides. That it has these two sides has long been regarded with suspicion by those Christians who see a commingling of the bestial and the angelic. Dante and Milton surprise, however, by finding a way to reconcile these supposed opposites.

Erotic love is a key component in The Divine Comedy, with Beatrice Portinari, a woman that Dante idealized from afar and who died young, serving as his guide through Paradise. As Dante came to see it, erotic love does not take us away from God but rather gives us an inkling of divine love. “The glory who Him who moves all things/ Impenetrates the universe,” Dante writes to open Paradiso. To catch a glimpse of this force, Dante draws on the love he feels for Beatrice.

Classical reason, represented by Virgil, won’t allow him to look directly at the sun. But Love will.

I’ve been reading a blog essay by one Mark Vernon, a psychotherapist, who believes a key turning point in Dante’s understanding of love occurs in Canto 9 of Purgatorio. There, at the threshold of Purgatory, Dante dreams a lustful dream but is then carried up into Purgatory by Lucia, one of three women looking out for him (the Virgin Mary being the third). As Vernon sees it,

The implication is that the transformation of eros from its dark manifestations to its true character requires him to work on his perceptions. He must hold in mind both images — one of violent and lustful snatching, the other of divine embrace and carriage. In so doing, the possessive character of eros that currently dominates his mind is revealed by the dream, and it might give way to the dominant character of divine love, which is of dynamic participation. As it is summarized by the famous last line of Paradiso, this is “the love that moves the sun and other stars.”

We see the shift in Paradise Lost, only in the other direction. There, however, we don’t just see love as the idealization of a woman. We also see it as actual sex.

In Book IV Milton describes Adam and Eve arriving at their special bower holding hands and, of course, naked. The first action is to offer up spontaneous prayers to God (“adoration pure/ Which God likes best”). Their next is to make love. As Milton circuitously puts it, they do not refuse the rites mysterious of connubial love—which is to say, they do not not have sex:

Thus at their shady lodge arrived, both stood
Both turned and under op’n sky adored
The God that made both sky, air, earth and heav’n
Which they beheld…

This said unanimous, and other rites
Observing none, but adoration pure
Which God likes best, into their inmost bower
Handed they went; and eased the putting off
These troublesome disguises which we wear,
Straight side by side were laid, nor turned I ween
Adam from his fair Spouse, nor Eve the Rites
Mysterious of connubial Love refused…

Because of orthodox Christianity’s suspicion of sex, Milton at this point gets defensive. It’s only after Adam and Eve eat of the fruit, he insists, that beautiful sex becomes evil lust. Before, it’s all good. “Our Maker bids increase, who bids abstain/ But our Destroyer, foe to God and Man?,” he declares defiantly. Then he delivers a paean to wedded love,

Hail wedded Love, mysterious Law, true source
Of human offspring, sole propriety,
In Paradise of all things common else…

Later in the passage he calls the marriage bed a “perpetual fountain of domestic sweets” and romantically says,

Here Love his golden shafts employs, here lights
His constant lamp, and waves his purple wings,
Reigns here and revels…

Today being Valentine’s day, I point out that their love bower is a florist’s dream:

                  [T]he roof
Of thickest covert was inwoven shade
Laurel and myrtle, and what higher grew
Of firm and fragrant leaf; on either side [ 695 ]
Acanthus, and each odorous bushy shrub
Fenced up the verdant wall; each beauteous flower,
Iris all hues, roses, and jessamine
Reared high their flourished heads between, and wrought
Mosaic; underfoot the violet, 
Crocus, and hyacinth with rich inlay
Embroidered the ground, more colored then with stone
Of costliest emblem…

Along with flowers and “sweet-smelling herbs,” they even have the ultimate stereo system:

Here in close recess
With flowers, garlands, and sweet-smelling herbs
Espoused Eve decked first his nuptial
Bed, and heavenlyly choirs the Hymenaean sung,
What day the genial angel to our sire
Brought her in naked beauty more adorned
More lovely than Pandora, whom the Gods
Endowed with all their gifts…

The music, we learn, is creation singing its joy to God. Although Adam and Even could hear this music clearly before the fall, Milton assures us we can still hear it if we listen closely enough:

Millions of spiritual creatures walk the earth
Unseen, both when we wake, and when we sleep:
All these with ceaseless praise [God’s] works behold
Both day and night:  How often from the steep
Of echoing hill or thicket have we heard
Celestial voices to the midnight air,
Sole, or responsive each to others note,
Singing their great Creator? oft in bands
While they keep watch, or nightly rounding walk,
With heavenly touch of instrumental sounds
In full harmonic number joined, their songs
Divide the night, and lift our thoughts to Heaven.

As Jane Hirshfield writes in the poem I shared last Sunday, the spiritual shines through the physical if we open ourselves to it, and the same can occur with the act of sex. Milton may have been a puritan, but his poetic insights look him deeper into the nature of the universe than theological doctrine. Same for Dante.

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