Ellison’s “Invisible Man” and Nabokov’s “Lolita” both challenged basic 1950s assumptions. The former changed public perceptions on what it meant to be black while the latter violated a tacit agreement not to go digging under neatly manicured lawns bordered by white picket fences.
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Invisible Man & Lolita Changed the ’50s
Posted in Uncategorized Also tagged 1950s, aestheticism, formalism, Hans Robert Jauss, Invisible Man, Lolita, modernism, Ralph Ellison, reception theory, Richard Wright, social protest novel, Vladimir Nabokov Comments closed