Grafters with their eyes on the Coronavirus Relief Plan will have a special place (Circle 8, Ditch 5) in Dante’s “Inferno.”
Tag Archives: Inferno
Neruda: Let’s All Stop for a Moment
In “Keeping Quiet,” Neruda offers us a powerful challenge in the face of the world’s horrors: what if the entire world were to observe a moment of stillness?
Homer, Virgil & Dante Visit the Afterlife
In my Representative Masterpieces course, I conclude with Dante’s “Inferno,” where we see sinners creating their own hells.
Dante on Income Inequality
Dante puts those who exacerbate income inequality in his fourth circle of hell.
Lit as a Survival Toolkit
Thursday Friend and occasional guest blogger Carl Rosin alerted me to a heartfelt Commonweal article by an English professor describing how literature helped her confront and work through childhood abuse. Cassandra Nelson’s difficult history leads to some remarkable insights into trigger warnings, which she opposes. Nelson’s view on trigger warnings is pretty much my own […]
The Meaning of Hell
Spiritual Sunday Stephen Greenblatt, the world’s preeminent Shakespearean, has an article about hell in the latest issue of the New York Review of Books that has me thinking about a subject I generally avoid. It’s a smart piece but fairly grim. For the most part, my view of hell is the one set forth in […]
Dante’s Place for GOP “Moderates”
Dante has a place in inferno for people like current Republicans “moderates” who talk a good game but refuse to stand up to Trump.
Mike Pence=Elmer Gantry + Uriah Heep
Columnist George Will calls Mike Pence a cross between Elmer Gantry and Uriah Heep. I see the two and raise to a Dante sycophant and Shakespeare’s Cassius.
Lit for Survivors Lost in a Dark Wood
Monday Commonweal recently published a heartfelt article by West Point visiting English professor Cassandra Nelson on how literature can help trauma survivors recover. Nelson begins with an angry comment about a University of Chicago dean’s facile dismissal of trigger warnings, even though she herself opposes them. She, however, speaks from the vantage point of one […]

