Black Lives Matter is getting some professors to rethink works they had previously defended
Tag Archives: Joseph Conrad
Black Lives Matter Changes the Canon
Achebe vs. Trump’s Heart of Darkness
50 years ago, black protesters would have been seen as Conrad sees Africans in “Heart of Darkness,” an undifferentiated mass. Achebe helped change that.
Conrad and White Male Panic
Tuesday This is a follow-up to yesterday’s post about how Joseph Conrad’s Heart of Darkness provides special insight into white terrorism. At one point I mentioned Conrad’s own racism and sexism, which leads to an interesting literary question: can we consider a work a literary masterpiece if it has one-dimensional depictions of women and Africans? […]
The World’s White Heart of Darkness
Monday The rise of white terrorism around the world is leading liberals like me to question some of our basic assumptions. Are our democratic institutions, which we took for granted, strong enough to withstand the murderous resentment of entitled people who feel threatened? Amongst the entitled I include both those wealthy individuals who countenance violence […]
My “Last Lecture”
I share here my “last lecture” from my retirement ceremony. (But rest assured: I will not be retiring from this blog.)
What Would Lord Jim Do?
Trump and the NRA call for heroes with guns to save us from mass shootings. Conrad’s “Lord Jim” shows us what happens when fantasies encounter reality.
Trump in Chaucer, Shakespeare & Conrad
When compared to people called “dotard” in Chaucer and Shakespeare, Trump fits the insult hurled at him by Kim Jong-un. His statement to African leaders, meanwhile, makes him sound like a “Heart of Darkness” ivory trader.
Reading Lit To Find the Meaning of Life
Paul Kalinithi moves between neuroscience and literature as he tries to understand the meaning of life and death, including his own terminal disease.
Conrad: Terrorism Not as Clear as It Looks
We all think we know what went on with the killings in Charleston, Colorado Springs, and San Bernardino because they fit easy narratives. Joseph Conrad’s “The Secret Agent” should make us wary about jumping to conclusions.